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The tone of simple Kokyu which Owara dances, is not in a samisen or a drum with where, and is tinged with sadness is likely to overlap with a famous Owara paragraph, and the charm of Owara-Kazenobon is likely to be in the place in which nostalgic Japanese emotion is given. There is nothing with [ the space and what ] that there are not with where and can feel at ease, and it is charmed. Isn't the charm as such healing in Owara-Kazenobon? Those who went to see feel that a slave to such a simple Owara dance is probably become. |